Sunday, September 1, 2013

A chair is a chair is a chair…My New Project Year.

waitingOver the past year I have taken what I thought was a sabbatical from my living experiments; my "performance art" if you will. Having delved so deeply into the past so as to be as close to a time traveler as is possible, I needed a break, I thought, from such intense 'art pieces' as living the life of a 1950's homemaker.

Thus, this past year was born. I quietly slipped from the computer screen with my writing and out of the kitchen. I let slide my petticoats and girdle, the pearls came off and the cookbooks began to gather a bit of dust. I took a small part time job at a cafe to be out in the world. Eat was easy to slip back into the modern world, but not so easy to let go of the past, my 'created past' and the action of living in a very determined way. 

I even purchased, for very little money, an older model 'smart phone'. Though I did not use it as my actual cell phone (far too frugal from the '50's to fall for that) it was a pocket computer if you will. It had wireless capability and the cafe where I worked had free wireless, so each break time I would sit and read all the news. The daily modern news. This was another way in which I began letting the modern world wash over me. 

I began to make friends as well and to really connect with the general public. It was an odd sensation at first, so many people coming at me with their digital devices, the fast paced world of modernity. I found, too, as I returned home, it was easier, on work days to cook more simply. To let the homemade set aside for my 'day off' days to retain what I had learned from the past.

It became easier to wear a modern knit dress or slacks. The curlers sat unused and unloved. My regime at the dressing table a thing of the Past, if you will excuse my pun. Now, as time marched forward, the 21st century ever enveloping me, I began to consider two things:  

1. When one moves outside the home, even part time, to take a job, the job of Home, the joy of homemaking becomes a chore. I found this an odd sensation after three plus years of really seeing my home and my time there as my job. 

2.And second I realized this year, into which I was well halfway, was not a return to 'reality' but in fact, simply another project year that I had not defined in writing or too the blogosphere. Yet, it was, it is, very much a project. The project of 'playing at' being a modern 21st century person.  

Dressing easier and with less regard. Eating easier and with less concern. Spending a bit less frugally and turning a blind eye. Using technology in more casual ways, with less intent and purpose and more as a passive use of time; a way to 'use it up' a concept my 1955 self would never have done. I often wondered how I got done what I did do with the time I had each day and wondered how I would have even been able to schedule an hour of 'passive computer entertainment time". 

All the while, the 1955 me, the 50's gal persona that had blurred in and out of my psyche over the past years, kept creeping into my field of vision. And then I began to see it wasn't a past character I had tried to play. Or even an old sense of guilt nudging at my conscious mind, but it was, in fact, a mirror. It was the reflection of who I had become and trapped, this reflection of me, often returned to me to wonder at what I was about and when, hopefully, would I return to my senses. 

Part of this past year has resulted in much 'soul searching'. In wondering how can that 1955 me I become rectify themselves to the modern world without being 'of' the modern world, but successfully living 'in' it? Through fate or chance or luck or what have you, I gained some wonderful friendships over the past year. And one such friend lead me to my current plan for the coming year: The year of Art.

I often found myself comparing the 'artist me' with the 1950's me because to keep a home, really Make and Create it, is the act of an artist. And I came to realize all those years and centuries of our past sisterhood who did indeed, 'keep home' shouldn't receive our disdain or our 'holier than thou' stares of modernity thinking we have somehow got it all figured out and are so much more free and powerful then them. I remember constantly being surprised by myself in the day to day of my homemaking and thinking, "I thought this would feel more like a prison. Or I should feel more put upon or frustrated" but again and again I found, when one was allowed to BE a homemaker. To have the career (not job) of keeping and making a home, the artists world of delight and creation opened up before me. 

So, as this year ends, when I find myself lucky in my new friend who has made it possible for me to have a studio and art space again, I realized there is a 'thing' a 'something' I can be, or really that I am, that takes all the passion and knowledge of my past self and aligns it in a way to dwell IN the modern world but not be OF it: That, of course is ART. 

So, this year (Sept to Sept) I am going to dwell in art. It is going to receive the passion and attention my Homemaking life did. And yet, it will not be truly separate, as it will be highly colored by it. I have left the cafe. I am focused on the creation of things. And, having rented our house out for the Summer, are but only two days away from returning to our little home which will be glad to have a part of the 1955 me back.  

This returning, both physically to my house after three months, and a return, in part, to what I love of the past, can find its justification in the present with the results of my little attempts at physical creation. Part of this year off lead me to take classes in Printmaking and Screen-printing and these have become the tools I use now to take my concepts and my ideas of the past, nay my very obsession with Women, The Home, and our connection to a physical realm. 

I found, without any specific intent, my art in my classes was often figural almost exclusively women and often in conjunction with the home rather it was a chair, another obsession of mine, or simply dwelling in an almost illusory space outside or around a home.

So, this year is going to see a return to the things I loved of Homemaking, cooking, decorating, keeping my home and the frugality of it, as well as adjusting my past and present self to the world through creating physical art. I am lucky to have found an outlet for it in a physical building (in fact my friend and I are having an opening in two weeks of our work!) it feels more real. And so I want that part of my past self, the blog/internet world, to also be a part of it.  

Now, the nuts and bolts of this coming year:

1. I am going to blog on a set schedule of Mon Wed Fri each week. 

2. My goals are to create art each week that both celebrates and evaluates our role as women in the past. Our story of the Home and the domestic history that is truly our own. 

3.To make sure my past skills of cooking, cleaning, sewing, thrift and frugality, and general love and passion for the past will play a part in my posts and thus my artwork. I am not sure exactly how this will pan out each week, but then again, I didn't know what to expect back when I dove head first into 1955. But I know I am a changed and better person for it and so I shall take that gusto and verve along for this ride. 

4. I am going to be true to that part of the artist that is often treated as not important, the business side. I currently am lucky to have a small space to work and to hang/sell things. But, my intention shall be to build a body of work and items to be sold on this site and possibly Esty as well. To take the passion and determination of Homemaking and apply it to what should be a realistic look at the business side of one's art is going to be important to me this year. Rather or not I sell a thing the goal to make it possible to do so is one of the main tenets of this year.

If any of my old followers are interested in this new endeavor of mine, I do hope they come along for the ride. And perhaps we may pick up some new people along the way. Perhaps artists that never thought anything of the homemaker other than a slave to the home or a small town homemaker who thought of artists as bohemian n'er do wells, will meet up and see the similarity in us all. We are bound by a history of the home and domesticity, good or bad it is OUR story and I think it continues to need to be told and evaluated and cherished and rekindled into the modern world.

 thenap

I hope all have a lovely day and Happy Homemaking and Happy Artmaking.

My New Main Site which is currently still a little rough is www.donnadavisart.com

I will update as we go along. This site may remain as it is with the link to the other not sure how to rectify those two together just as of yet.

Tuesday, July 23, 2013

I hope some of my followers are still around. I am planning on starting a new project this fall late Summer. I realized my site has been down for a few weeks and I have been inattentive to it. That will hopefully change.

I hope all have had a lovely Summer thus far.

50's Gal

Sunday, April 21, 2013

21 April 1951 “Movie for a Sunday: Young Wive's Tale”

Well, here we are again another Sunday. I hope you enjoy today’s film. It features a very small roll for a future star Audrey Hepburn.

The film is about the post-war housing crisis and in this scenario it leaves a shy woman to have to share a house with two couples.It touches on many of the early 1950’s issues of the housing needs of a returning army of soldiers and the vast increase in population due to the Baby Boom.

I hope you enjoy and have a lovely Sunday. And don’t forget to send me any guest posts you would like to share with our growing family here.

Happy Homemaking.

Friday, April 19, 2013

19 April 1950 “Guest Post: Frugal Foodies Will Favor This Frosty Cake”

Frugal Foodies Will Favor This Frosty Cake

This weekend I had a chance to try out a cake I’d wanted to try for a long time. A Frosty Snowberry Cake, from a 1950s-era Pillsbury Bake-Off book. The “snowberries” are actually cubes of jellied cranberry sauce that are folded into the batter. The ingredients were the most basic of staples: flour, sugar, egg whites, shortening, and baking powder. By a happy coincidence, I even had the ingredients that I don’t have every day: light corn syrup and cream of tartar for the boiled frosting. Vintage kitchen implements that have gone unused in the time we’ve been here were finally pressed into service. A glass double boiler. Cake pans with metal slider releases.

Photo from the 1953 Pillsbury Bake-Off Cookbook.

Cakes seemed healthier in the 1950s than they are today. No pudding in the mix. No preservatives to give the cake the longevity of Twinkies. My son Wyatt said the cake was “chewy.” I think he meant “bready.” The cake didn’t quite look like the picture shown here, as cakes that come out of our $99 oven tend to look like the Metrodome after it collapsed. However, it scored major points for satisfaction. The cranberry sauce gave the cake the taste and texture of a jelly roll. I didn’t have food coloring to tint the frosting pink, so I added a pinch of raspberry Jell-O instead. It did the job just fine.

Here’s the recipe for Frosty Snow-berry Cake, which was the Senior Winner in the 1953 Pillsbury Bake-Off. Mrs. Marguerite Marks of Camden, New Jersey did herself proud!

This great guest post was brought to you by Susan at Poultry & Prose.

Happy Homemaking.

Thursday, April 18, 2013

18 April 1950 “A Question, Shall We Share?”

letsharebuttonapronrevolution I have been so busy of late. I have a big project for my printmaking course coming due. We are doing some major changes in our yard and as it is Spring am trying to get my planting in as I can. We are also preparing our home to be a Summer Rental this year so have been very busy. With that business has come some guilt. I felt bad leaving all of you out of it and then I thought, What if they share with me and others?

So, I propose this: If there are very many of you left out there, my followers, how would any of you feel about guest blogs. I have done a few in the past, but as I get many letters from readers saying they like to come to my site to just spend some time, why not make it a place we can all share. You could post a blog here and of course link back to your own site. But, in a way, make more of a community link or hub here. This way I could still do various things like building up pins or adding new fun links in my boxes on the page to great vintage free books etc. Does this seem of interest to any of you?

Let me know, because I would simply get your email submission, look it over and post it. Then the pages could be themed that day to what you are writing about.. Of course I will still write as well, but being so busy it takes time for me to get all my research and thoughts into a somewhat readable format.

I have already received a guest blog submission and will post that tomorrow. I think this shall be quite fun.

Now, you can go HERE to submit. I will also put a submit button on main page or you can simply email directly to apronguestblog@gmail.com

Happy Homemaking and Happy writing. Let’s get some great articles from you, the readers!

-50sgal

Sunday, April 7, 2013

7 April 1950 “Movie for a Sunday with Mickey Rooney: “He’s a Cockeyed Wonder”

hesacockeyewonderposter Today’s Movie for a Sunday is a small often forgot comedy starring MIckey Rooney and Terry Moore, “He’s a Cockeye Wonder”

“Freddie Frisby is informed by Bob Sears that he can't marry Bob's daughter, Judy, as he is only a fumbling failure as an orange picker, and Judy can do better. Freddie's prospects brighten up when he learns his uncle has left him his entire estate, but he learns that the estate consists entirely of a magician's paraphernalia. He decides to become a magician with Judy as his assistant, but while they are rehearsing, they are kidnapped by a band of payroll robbers.”

I hope you enjoy a good comic romp on this Sunday afternoon. I am a little late in posting only because I was out Thrifting and Antiquing with a friend today. I will share my finds on my next post.

Enjoy your Sunday and as always, Happy Homemaking.

Thursday, April 4, 2013

4 April 1957 “ Nifty Fifties Bathrooms: Colors Galore and Great Color Guide to Redoing or Recreating a Vintage Bath”

 1900bath2 When bathrooms began to become the norm for the middle class most fixtures were available only in white. There are some lovely examples of hand-painted china type but would have most likely been in a more well to do home.
paintedsink These lovely delicate blue and white pieces would have most likely adorned new bathrooms in an English Country house of the upper classes or the more well to do suburbs of the upper middle class.
paintedtoilet For the most part an early bathroom would have had only white porcelain options.


Monday, April 1, 2013

1 April 1955 “Beetle Stocking Mender & Perfect Rye Bread”

aprilfoolsdaybeetlestockingfix I had thought of a few funny April Fool’s pranks I could play on my reader’s today, but a friend of mine shared this one with me. So, it being vintage, I felt it worth sharing with you. It is from a 1930’s April Magazine and of course was meant to fool the reader. What a rush of excitement there must have been at first look thinking, at last a way to mend my stockings, the money I shall save! Of course as light dawns on the reality of the situation you cannot help but chuckle to yourself. So, there you go, Vintage April Fools Day to you!
Now, onto some lovely vintage bread making:


Sunday, March 31, 2013

31 March “Movie for an Easter Sunday”

fatherslildividend I hope all who celebrate are having a lovely Easter Sunday, and for those who don’t I hope they have a joyous day as well.
Today I thought our Sunday Movie should be the sequel to the 1950 comedy hit “Father of the Bride” .It is the 1951 comedy film, “Father’s Little Dividend”. Directed by Vincente Minnelli and starring Spencer Tracy, Joan Bennett, and Elizabeth Taylor. This film is just fun to watch. For those of us to whom the 1950’s is a visual joy, you will like it for fashion and interiors and general attitudes. It is fun to see the interiors of the homes and how the young couple get their little suburban home to prepare for the little one on the way. It is overall just a happy fun film that makes me think of Easter and Spring for some reason. I suppose the joy of Spring, New Birth and general excitement I get from looking at vintage interiors just mingle well in this film to make it feel very Fresh and Hopeful. So, I hope you will enjoy it as well.
And as a fun little treat, I have included a short little silent 8mm short of an Easter Home movie. It is of guests arriving dressed for the holiday and the lovely table setting. It is a fun comparison to the film to see what was happening in the real world as well at the same time the film came out. They actually seem rather comparable.
First the little home movie, then our feature film. Happy Easter and Happy Homemaking.



Friday, March 29, 2013

29 March 1959 “Connie Converse, the Lost Musician of the 1950’s: How Sad & How Lovely”

connieconverseatpiano  Every so often, as I sift through my ephemera of the 1950’s, I come upon little moments that feel so poignant and almost sad. This can manifest itself in so many ways. In this instance, with Connie Converse, it made me pause and think, “If only Connie had been been in this generation, her music would have been able to find an outlet, probably through self promotion on YouTube. The vast variety of musical styling's today would have found a place for her wonderful folksy, bluesy hybrid sound of music. She was an artist a bit early for her time and so went for the most part unnoticed. Her story, as well, is both romantic and tragic.

Before we go any further let’s hear a tune by this lost and unappreciated artist of the 1950’s. “The empty pocket waltz”



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